Tintinnabuli Composition
A method for composing introspective and beautiful music
Course Summary:
Join our expert-led course and delve into the world of tintinnabuli, a compositional technique that weaves minimalistic harmony with profound depth. Guided by George Marshall, a PhD in music composition with over a decade of experience, you'll explore the intricacies of part writing, harmonic colouring, and melodic creation.
Lesson 1 (included in Free Preview, try it out!): Introducing Tintinnabuli
Instructor Tintinnabuli Composition:
Lesson Highlights:
Lesson 2: Tintinnabuli Technique and Aesthetics
(Included in the Free Preview, try it out!)
What You Will Achieve:
Who is the handsome, knowledgable and extremely modest chap who will be teaching me?
I couldn’t be happier. I started the course with only rudimentary composition skills. Now I know through George’s class and the work of one of my musical heroes that beauty is not complex and the divine is always close by, you just have to open yo...
Read MoreI couldn’t be happier. I started the course with only rudimentary composition skills. Now I know through George’s class and the work of one of my musical heroes that beauty is not complex and the divine is always close by, you just have to open your eyes, ears and heart.
Read LessI really enjoyed the course. It is very well structured and full of interesting compositional concepts. I find Arvo Part’s music and compositional techniques very unique. I highly recommend this course to composers of all levels. Thanks again. Car...
Read MoreI really enjoyed the course. It is very well structured and full of interesting compositional concepts. I find Arvo Part’s music and compositional techniques very unique. I highly recommend this course to composers of all levels. Thanks again. Carmine Pastore
Read LessTintinnabuli Introduced
FREE PREVIEWCourse Bibliography
Aesthetics and Tintinnabuli as a composition technique
FREE PREVIEWRules of Counterpoint: The Two Voice Types
FREE PREVIEWQuiz: Tintinnabuli Aesthetics
Relationships between the two voice types: 1st, 2nd, inferior and superior
FREE PREVIEWQuiz: the voices of tintinnabuli technique
Tintinnabuli Technique in Practice
FREE PREVIEWExercise 1: Creating Tintinnabuli Harmony/Counterpoint
2.5c [Worksheet Answers]
Section Introduction: Arranging a Tintinnabuli piece and the rules of the game
Sketch #1 - introducing the melody with simple/standard harmonisation
[Help sheet] Sketch #1: simple harmonisation in the home key
Sketch #2 - Harmonic Expansion and Juxtaposition
[Help sheet] Sketch #2 - Harmonic Expansion and Juxtaposition [Task]
Sketch #3 - Switching Roles (Part 1)
[Mini Quiz] Sketch #3 - Quick Quiz (2-questions)
Sketch #3 - Switching Roles (Part 2)
[Help Sheet] Sketch #3 - Switching Roles
Arranging task: my response
[Help sheet] Arranging Task
Section Introduction: composing a Tintinnabuli piece and the rules of the game
Sketch #1 - Numeric Sequencing
[Help sheet] Sketch One - Numeric Sequencing
Sketch #2 - Withholding Notes
[Help sheet] Sketch #2 - Withholding Notes
Sketch #3 - Symmetry and Music Composition Techniques of Symmetry
[Help sheet] Sketch Three - Symmetry and Music Composition Techniques of Symmetry [Task]
Composition Task: my response
[Help sheet] Composing Task
Course Close
Share future Tintinnabuli inspired compositions.
If you have a student account already, please skip point 5 (you will not need to create a password).
What will you need? What might you need to know?
You should be able to read Music Notation to a reasonable standard.
Approximately an intermediate and above level of music theory knowledge. E.g. Intervals; Scales/Modes; Basic Chords/Triads;
You should have access to engraving software (Sibelius, Dorico, Musescore etc.) or pencil and manuscript paper
An explosive appetite for music composition.
No matter how much of the course you complete in 30-days: 10, 20, 100%, if you remain unhappy with the progress you make as a composer in completing our courses, we will provide a full refund.
8 of the most Frequently Asked Questions
Every lesson has a text-based discussion section and we encourage their use. Share your ideas and ask questions. ***Asking a question in these sections is actually one of the best ways you can help us improve the course. If a question is asked then we know we might need to improve how we have explained something. Alternatively, you can get in touch privately via email at [email protected].
There are no formal requirements. However, we recommend students be able to read and understand music notation to a good standard. We also approximate intermediate-level music theory and recommend that you try the free previews.
We're confident our courses deliver. If you buy and complete the course within 60-days and are unsatisfied by the progress you have made as a composer, email George ([email protected]) and request a refund. George checks emails daily and once the refund has been granted the money should be back in your account within 3 - 7 working days. Please hold on to your purchase receipt. While this is not essential to grant a refund, it will make it easier for everybody!
Click the "enrol"/"enrol now" button at the top, middle or bottom of this page. You will then be taken to a secure Stripe** payment checkout where you will be asked for your soul. Just kidding. We only want your card details. **We cannot currently take PayPal payments, but we hope to in the future.
Yes. However, this is only so that your progress can be tracked. Alternatively, the Any Old Music YouTube page has the first two lessons uploaded for streaming. No account is required to view these, however, your progress will not be recorded should you purchase the course.
After purchase, you will gain full access to the course, its lessons and forums. If you had created an account to complete the Free Previews then these will be stored and applied to your full course progress bar.
You have access to the course for as long as you have an account on the site.
Yes. If you would like to discuss the possibility of spreading a payment for the course, then please get in touch via email at [email protected].